Monday, as I was working in my studio, trying to write, a
group thundered through the stairwell, collecting just outside my door, which
was open. Not wanting to seem rude, I let it go and feigned busyness. It was
hard to write with the clatter, then hard not
to eavesdrop as the dozen or so, all white men and two women, one I recognized
as a college student, chatted about the future of Milford Main School. My
future, I understood.
They were talking about it as if it were a piece of
property, which, of course, it is. The Milford School District has been
attempting to figure out what to do with this white elephant for a long time. I
am certain the November defeat of an operating levy brings it to the front
burner.
Gutting it and leaving its few redeeming architectural
details for a developer was one scenario. Public auction, another. Moving
administrative offices here and selling Milford South was suggested. Several
recommended marketing it to prospective buyers as senior housing since several
local communities maintain waiting lists. I’m pretty certain city officials
were in attendance, but I did not hear a peep as to any intention of taking it
over. Rumor has it the district has unsuccessfully tried giving it away for $1.
Someone who sounded knowledgeable about renovation said this
building was a piece of cake compared to work on similar structures in
Over-the-Rhine. That was encouraging. Someone else offered a two-sided elevator
could be installed for less than $150,000 and meet ADA restrictions.
I peeked out and noticed Merydith, a Miami senior
re-developing Milford Main for her senior architecture project. Bet she wasn’t
s crazy about what she was hearing, either.
They did introduce her and solicited her opinion. She
responded that, obviously, what she was proposing would cost a lot. She was
very diplomatic, but in her heart of hearts, I know she was disappointed.
When she finished, it seemed like my chance to chime in: now
or never. I explained that I ran an arts program for local, at-risk kids through
Quaker grants*, one from the Clermont County Mental Health and Recovery Board
and had just applied for another from ArtsWave, the former Fine Arts Fund.
There were sighs of recognition. I told them ArtsWave was excited about the
possibility of a Milford arts center at Main, that they had been seeking
another Clermont County presence. I revealed that I had done preliminary
exploration and found a National Endowment for the Arts grant for “creative
placemaking” collecting private, public, non-profit and community partners to
shape the local social character around arts and cultural activities that
animate, rejuvenate, improve the economy and gather diverse people.
What a dream!
Milford Main is just that bridge, connecting all of the
above as well as Milford neighborhoods and retail districts. The key, it
seems, is partnerships and someone or institution willing to take on ownership.
Responsibility is what this committee seems to want the district to divest
itself of.
I am grateful for the opportunity and felt listened to. As I
inched myself out, I spied the superintendent and said hello. He has always
been a good listener, from his first weeks on the job, when he held community-engagement
meetings and introduced himself simple as “Bob,” offering his hand and treating
me as if I mattered.
The district has been doing a lot of listening since the
narrow loss of the levy. More public sessions and a survey, asking residents
what cuts they would make. I believe it’ the smartest thing they could have
done, given the circumstance, because it forced participants to feel their pain
at what should go and what stay.
I also told this group that I thought they’d meet more
public resistance to ridding themselves of Main than perceived. “People that
voted against the levy aren’t gonna want to pay for Main,” one remarked
I beg to differ because it’s just those people, older,
retired and on fixed incomes, who remember and love Main. They could truly
benefit from some type of community cultural center.
And, I don’t relish moving Artsy Fartsy, let alone my
studio, anywhere else, though it’s already been offered a home in a nearby
church.
I feel Spirit gave me an opening and now tells me to wait –
patiently, which isn’t so easy. I must trust, just as I did to get a studio in Milford
Main in the first place!
• When have I been offered an unexpected opportunity at
Spirit’s urging?
• Could it still hold a spiritual dimension even if in a worldly
venue?
• How do I discern Spirit’s leadings?
• What happens when I can?
• When I don’t?
blissfully minding
my own business
when rudely
awakened
to something
I did not want
to know
it was
distressing
until my blood
boiled and my
heart pounded
much like when
I have ministry
in worship
and I knew
this was my
opening
a gift
from Spirit
amid the suits
of business
and still, I felt
my voice was heard
* Clarence and Lilly Pickett Endowment
Good News Associates grant
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